Alexander Petrov Russian Animator Best know for oil paint on glass Applies oil on glass and moves it around with fingers “…shortest and fastest way to. – ppt download

Presentation on theme: “Alexander Petrov Russian Animator Best know for oil paint on glass Applies oil on glass and moves it around with fingers “…shortest and fastest way to.”— Presentation transcript:

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Alexander Petrov Russian Animator Best know for oil paint on glass Applies oil on glass and moves it around with fingers “…shortest and fastest way to link between my heart and the image I am creating” Films Old Man and the Sea, 1999 22 min, award winner The Cow, 1988 The Mermaid, 1996 Clive Walley Welsh animator, specializes oil paint on glass BBC special, 1995 “Space, Time and Paint” Invented his own multi-plane camera for oil paint on glass technique

Alexander Petrov Russian Animator Best know for oil paint on glass Applies oil on glass and moves it around with fingers …shortest and fastest way to link between my heart and the image I am creating Films Old Man and the Sea, min, award winner The Cow, 1988 The Mermaid, 1996 Clive Walley Welsh animator, specializes oil paint on glass BBC special, 1995 Space, Time and Paint Invented his own multi-plane camera for oil paint on glass technique

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Caroline Leaf National Film Board of Canada animator Known for both sand and paint on glass animation techniques Film: The Street, 1976 Nice example of fluidity of the paint as it is smeared on glass Simple depictions of characters and forms Martine Chartrand Worked with Petrov in Russia Inspired by Petrovs film “The Cow” Film Black Soul, 2001 Film about history black culture Limited hues to blue, brown, sepia, green and red to avoid muddiness Added bicycle grease to paint to avoid drying out Made 14,000 modifications Used fingers in paint to create metamorphosis

Caroline Leaf National Film Board of Canada animator Known for both sand and paint on glass animation techniques Film: The Street, 1976 Nice example of fluidity of the paint as it is smeared on glass Simple depictions of characters and forms Martine Chartrand Worked with Petrov in Russia Inspired by Petrovs film The Cow Film Black Soul, 2001 Film about history black culture Limited hues to blue, brown, sepia, green and red to avoid muddiness Added bicycle grease to paint to avoid drying out Made 14,000 modifications Used fingers in paint to create metamorphosis

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Caroline Leaf Film: The Street, 1976 Nice example of fluidity of the paint as it is smeared on glass Simple depictions of characters and forms Martine Chartrand Film Black Soul, 2001 Film about history black culture Limited hues to blue, brown, sepia, green and red to avoid muddiness Added bicycle grease to paint to avoid drying out Made 14,000 modifications Used fingers in paint to create metamorphosis

Caroline Leaf Film: The Street, 1976 Nice example of fluidity of the paint as it is smeared on glass Simple depictions of characters and forms Martine Chartrand Film Black Soul, 2001 Film about history black culture Limited hues to blue, brown, sepia, green and red to avoid muddiness Added bicycle grease to paint to avoid drying out Made 14,000 modifications Used fingers in paint to create metamorphosis