Yves Klein. Blue Monochrome. 1961 | MoMA

Blue Monochrome is one from a dizzying array of innovations that Klein pursued in order to cultivate a new aesthetic consciousness. Undivided by drawing and seemingly untouched by the artist’s hand, the radiant field frees color from the confines of form. That liberation extends to International Klein Blue, the medium Klein developed with a chemist: pure color powder in a lightweight, virtually invisible resin solution that grants the individual grains unprecedented autonomy, rather than pigment bound with oil, which had a dulling effect the artist dreaded. Applied evenly with a roller, the profound hue suggests a potentially infinite visual expansion—an impression further encouraged by Blue Monochrome’s generous dimensions and subtly softened corners, which Klein carefully rounded. Yet the minutely textured matte surface also exerts a powerful attraction in its own right.

Klein proposed that art was evolving toward the immaterial, progressively leaving behind physical objects in favor of impalpable effects and feats of ideation, and he conceived his intensely ultramarine canvases as essential stations on this path. This exploration also included ephemeral performances with the paint-smeared models that he called “living paintbrushes” and the sale, via certificate, of otherwise intangible “zones of immaterial sensibility.” At the same time, Klein acknowledged the allure of sensual immediacy, noting, “The more one lives in the immaterial, the more one loves matter.”

Publication excerpt from MoMA Highlights: 375 Works from The Museum of Modern Art, New York (New York: The Museum of Modern Art, 2019)